'Chekhov's Gun and Nietzsche's Hammer: The Biotechnological Revolution and the Sociology of Knowledge'.

Bill (1987), Chekhov: The Silent Voice of Freedom, Philosophical Library Burt (2008), The Literature 100: A Ranking of the Most Influential Novelists, Playwrights, and Poets of All Time, Infobase Publishing

^ Petr Mikhailovich Bitsilli (1983), Chekhov's art, a stylistic analysis, Ardis, p. x.Shaggy dog story – a long-winded anecdote designed to lure the audience into a false sense of expectation, only to disappoint them with an anticlimactic ending or punchline.Red herring – drawing attention to a certain element to mislead.MacGuffin – a plot motivator that is necessary to the plot and the motivation of the characters, but insignificant, unimportant, or irrelevant in itself.Foreshadowing – a plot device where what is to come is hinted at, to arouse interest or to guard against disappointment.Otherwise don't put it there.' From Gurlyand's Reminiscences of A. 'If in the first act you have hung a pistol on the wall, then in the following one it should be fired.Here the 'gun' is a monologue that Chekhov deemed superfluous and unrelated to the rest of the play. It's wrong to make promises you don't mean to keep.' Chekhov, letter to Aleksandr Semenovich Lazarev (pseudonym of A. 'One must never place a loaded rifle on the stage if it isn't going to go off.If it's not going to be fired, it shouldn't be hanging there.' If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. 'Remove everything that has no relevance to the story.Other writers have noted that too much emphasis on the principle can make a story predictable and leave it colorless. Hemingway valued inconsequential details, but conceded that readers will inevitably seek symbolism and significance in these inconsequential details. Ernest Hemingway mocked the principle in his essay 'The Art of the Short Story', giving the example of two characters that are introduced and then never mentioned again in his short story ' Fifty Grand'. It is derived from the idea that if a gun is placed in a scene it must at some point be used, as in his own play The Seagull. The statement is recorded in letters by Anton Chekhov several times, with some variation it was advice for young playwrights. Elements should not appear to make 'false promises' by never coming into play. Dramatic principle that every element in a story must be necessaryĬhekhov's gun ( Chekhov's rifle, Russian: Чеховское ружьё) is a dramatic principle that states that every element in a story must be necessary, and irrelevant elements should be removed.

Laser rifle deus ex